
Bruno Mars
24K Magic
California, US

Corporate Events
Galas, sales kickoffs, holiday parties — a tribute act gets the whole room singing without the cost or rider of an A-list booking. One agency contact runs the band, the schedule, and the production details.
Published acts from the roster that planners shortlist for company events — review the photos, media, and profiles before you inquire.
Booking Tips
A 300-person mixed-age company party calls for a broad catalog — think decades hits over deep cuts. Save the niche tribute for a themed night.
Q4 holiday dates are the most contested in live entertainment. If your event lands in November or December, inquire in summer.
Load-in access, power, stage size, and sound limits decide what's possible. Three emails in advance beat a day-of scramble.
Some venues have house sound and lights; some acts carry their own; sometimes we rent the gap. Settle this at quote time — it's a real line item.
Speeches into an empty dance floor kill momentum. Schedule remarks before the band's first set, and let the act close the night.
Set times, overtime, attire, meal buyout, and arrival windows all belong in the contract. One agency agreement covers the lot.
Typical Budget Guidance
For a single tribute or cover act at a company event, planning budgets commonly run $3,000–$10,000 for regional professional acts, and $10,000–$25,000 for touring-level tribute productions with full staging.
Date (holiday season runs hotter), travel, set length, and production scope are the big levers. Send your date and venue in an inquiry and we'll scope acts to the budget you actually have.
These ranges are planning guidance only — not quotes and not listed prices. Every booking is quoted individually based on the act, date, travel, set length, and production needs.
That's the core skill of a good cover or multi-era tribute act. Tell us the rough age mix and the vibe you want in your inquiry, and we'll steer you toward acts whose catalogs span the decades your team actually knows.
Two to three sets across an evening is standard, with break music covered by a playlist. Longer or shorter formats are negotiated in the quote — say what your run-of-show needs and the act will build around it.
It depends on the act and the room. Many acts carry production suitable for mid-size venues; larger rooms may need rented reinforcement or the venue's house system. We sort this out during quoting so there are no surprises on event day.
Yes — and it works best when it's planned. Schedule remarks before the band's first set or between sets, and keep the final set unbroken so the night ends on a full dance floor. We'll help you sequence it.
Yes. Booking through 90s to Now means one agreement covering the act, set times, production responsibilities, and day-of logistics, with our team as your single point of contact from quote to load-out.
Send the date, the venue, and the sound you’re after — our booking team comes back with real acts and real availability.